Watch top tv movies online now? No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. Called back to their rural Australian childhood home after matriarch Edna (Roby Nevin) goes temporarily missing, Kay (Emily Mortimer) and daughter Sam (Bella Heathcote) discover that the past refuses to remain dormant. The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. Edna’s vacant stares and strange behavior are the catalyst for a story that derives considerable suspense from unnerving set pieces and, more pointed still, the question of whether everything taking place is the result of unholy entities or the elderly woman’s physical and mental deterioration. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end.

In its rough outlines, Neasa Hardiman’s film isn’t all that different from any number of unspeakable-menace-at-sea horror flicks, but this chiller — about an Irish fishing trawler that is attacked by disease-baring parasites secreted by a mysterious deep-sea creature — also has a fully realized, lived-in quality: You can smell the oil, sweat, and salt, and hear the grind of motors and murmur of sailors. That enhances both our terror as well as the film’s eerie, unintentional resonance: It will feel uncomfortably familiar to an audience newly obsessed with the anxious mechanics of infection and exposure and quarantine. Still, the movie works not because it was released during a pandemic, but because Hardiman wisely builds suspense from uncertainty, as our heroes are terrorized by the agonizing solitude of the open sea and a nemesis that is practically invisible.

In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre. Find even more info on flixtor.

Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Cristi’s playing-both-sides predicament is complicated by his relationship with Gilda (Catrinel Marlon), an alluring beauty whose femme fatale status is underlined by her famous noir name, and Porumboiu fractures his narrative so that chronology, like the various dialects employed by his characters, comes across as intricately coded. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music.

Competing with other video players like VLC, PotPlayer has managed to earn a good reputation in recent times. This multimedia software for Windows platform has been developed by South Korean internet company named Kakao. PotPlayer has tons of features and specialties that can easily give VLC a run for its money. This recommended media player comes with a wide range of customization options that allow you to make this software fit for your needs. Using the techniques like CUDA, QuickSync, and DXVA, PotPlayer is able to deliver maximum performance and lightweight experience. That’s why PotPlayer is the second best media player on the list. Compared to VLC, PotPlayer might be less popular but it supports even more file types. It goes without saying that it’s a great player for MP4/FLV/AVI/MKV files, which are very common. You have the option to make a choice between sound cards, bookmark your favorite scenes and preview them, etc. You also get filters for brightness, contrast, hue, noise reduction, etc. It also comes with lots of built-in keyboard shortcuts and hotkeys. But, what makes VLC more popular than PotPlayer? Well, for most of the users, the long list of features and settings might be just too much. Also, PotPlayer is limited to Windows. Overall, PotPlayer is one of best media players around if you want to ditch VLC Media Player.

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PopcornTales movies analysis? In the fictional northeast Brazilian town of Bacurau, residents are puzzled to discover that their home has disappeared from all GPS maps, and their cell service has ceased. Stranger still is the 1950s-style UFO zooming around the sky – perhaps a hallucination invoked by the psychotropic drugs the townsfolk have ingested? Or is it a tool of other sinister forces preparing to strike? Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. Stylistically indebted to both the Westerns of Sergio Leone and the thrillers of John Carpenter, and yet imbued with an out-there spirit all its own, Filho and Dornelles’ film takes a gonzo scalpel to geopolitical dynamics.

Ben Affleck gets one of his greatest (and most personally resonant) roles as an alcoholic former high-school basketball star who gets a chance at redemption when he’s hired to coach his alma mater’s hopeless hoops team. This could easily become mired in clichés, but director Gavin O’Connor and writer Brad Ingelsby strike a fine balance between delivering the promised underdog sports drama and presenting a portrait of trauma and grief that resists easy solutions. At the center of it all is the star’s tense, restrained performance as an emotionally distant man whose considerable demons can’t really be vanquished with a few wins.

Using cheery smiles and go-getter glares to conceal profound depths of resentment, ambition and greed, Hugh Jackman gives the performance of his career as Roslyn, Long Island public school superintendent Dr. Frank Tassone in Bad Education. A dramatic account of the historic embezzlement scandal that engulfed Tassone and his colleagues – most notably, assistant superintendent Pam Gluckin (Allison Janney) – Cory Finley’s film (based on Robert Kolker’s New York Magazine article) is a ruthlessly efficient and even-keeled affair about the intense pressures of suburban academia, where educational-ranking achievements and college acceptance rates are intimately intertwined with real-estate prices. The director lays out the myriad forces at play in this ostensibly picture-perfect milieu in exacting detail, and his preference for longer takes means that the focus remains squarely on his performers. That, in turn, allows the HBO feature to rest on the sturdy shoulders of Jackman, who never resorts to caricature in embodying Tassone as a discontent striver whose eagerness for validation dovetailed with his lifelong deceptiveness, to disastrous ends. Discover even more details at movie reviews.

DivX Player for Windows. It calls itself the first of its kind media player that offers free HEVC playback. With this popular and useful media player, you can also enjoy UltraHD (4K) playback. It goes without saying that DivX player is optimized for played video files in the most popular formats like MP4, MKV, DivX, and AVI. DivX also acts as a streaming media player that lets you stream music, video, and photos to any DLNA-compatible device. DivX player also comes with advanced features like Trick Play, which lets you jump to your favorite scenes easily. With the support for Chapter Points, you can simply play different scenes. Its smart media library keeps track of the purchased as well as private video content. The support for multiple audio means that you can switch among different soundtracks without hassle. With its Resume Play feature, you can simply jump to the point where you left off.

The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work. Read more info on https://www.popcorntales.com/.

Watch movies online for free on Fbox? Liz Garbus’s grim Netflix drama is based on Robert Kolker’s powerfully empathetic book about the victims of a still-at-large Long Island serial killer believed to have butchered between 10 and 16 female sex workers — whose bodies lay for years on a stretch of Gilgo Beach. Garbus focuses on the conflict between a working-class mother (Amy Ryan) whose oldest daughter has disappeared and the Suffolk County Police — led by a grave, empty suit (Gabriel Byrne) — who don’t exactly put themselves out for missing “hookers.” The film lacks the scope of Kolker’s book, but in tracing a link between murderous misogyny and patriarchal indifference it leaves you bereft (Why aren’t they acting like committed TV cops?) and then outraged. It’s an anti-police procedural.

Andrew Patterson’s The Vast of Night is a marriage of the old and the new, blending effects-aided cinematic showmanship to old-school radio drama. In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. At the same time, his centerpiece sequences are models of formal precision and depth, as protracted shots across sprawling fields, through crowded gymnasiums, and in and out of cramped buildings create pulse-pounding tension while simultaneously conveying the propulsive flow and binding, interconnected nature of narrative storytelling itself.

Arriving on streaming in the middle of a pandemic, a time when many lives have fallen into unceasing loops of quarantine-related repetition and tedium, the Lonely Island produced comedy Palm Springs perhaps resonated differently than when it premiered at Sundance earlier this year. Jokes about doing the same shit over and over just hit harder now. Tracking a romance between a goofball wedding guest (Andy Samberg) and the bride’s self-destructive sister (Cristin Milioti), writer Andy Siara’s clever script combines Groundhog Day existentialism with a quippy take on quantum physics, doling out inspirational life lessons and math cram sessions at a clipped pace. In the same way Tom Cruise had to battle aliens in Edge of Tomorrow, the two must relive a wedding over and over, struggling to escape from an Instagram-ready, celebratory hell. It might not be as purely funny as Samberg’s other big screen adventures Hot Rod and Popstar, but Palm Springs finds its own winning spin on a surprisingly robust micro-genre. Discover even more information on watch movies online.

If you’re looking for a UWP media player app for Windows 10 that’s clean looking, it’s time to stop your search becauase ACG Player could be your final choice. It’s a lightweight media player that has all the essential features like audio and video effects, music visualizer, art font subtitle, gesture control, background music. etc. ACG Player supports most media codecs out-of-the-box and follows no-nonsense policy. It also supports playback from external devices, files, and discs. An even more lightweight version of ACG Player is available in the form of Ax-Lite, which is its faster version without some features. Do give it a try for its clean and zippy interface.

Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Cristi’s playing-both-sides predicament is complicated by his relationship with Gilda (Catrinel Marlon), an alluring beauty whose femme fatale status is underlined by her famous noir name, and Porumboiu fractures his narrative so that chronology, like the various dialects employed by his characters, comes across as intricately coded. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music.

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Watch the best movies free online? Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten.

This one didn’t open theatrically, so once upon a time it probably wouldn’t have qualified for this list. But screw it, we live in extraordinary times — and besides, this atmospheric murder thriller set in a small New England fishing village is the kind of artfully mounted, suspenseful little charmer they don’t really make anymore, so it feels extra special. Two cash-strapped sisters, struggling to hold onto their house in the wake of their mom’s death, find themselves in the middle of what appears to be an elaborate, twisted conspiracy involving the town brothel and a gaggle of old-timers with some dark secrets. The central mystery itself is interesting, but the main attractions here are the colorful cast of characters and the compelling sense of place established by writer-directors Bridget Savage Cole and Danielle Krudy.

This low-budget debut feature is a UFO movie that takes time to achieve lift off. In addition to saddling the story with a mostly unnecessary framing device, which underlines the already obvious echoes of The Twilight Zone, director Andrew Patterson and the film’s writers open the 1950s New Mexico-set story with a handful of overly precious exchanges featuring the two main characters, chatty DJ Everett (Horowitz) and young switchboard operator Fay (McCormick). In the beginning, these two might get on your nerves. But once the movie locks them in place, tampering down the acrobatic camerawork and letting the sound design take control, the material finds a more natural rhythm, drawing on the hushed intimacy of old-fashioned radio drama. Like many of the best UFO yarns, The Vast of Night taps into a deep sense of yearning. Wanting to believe is half the battle. Find additional details at watch tv series online.

Deepfake technology gets a stunning workout in Welcome to Chechnya, as documentarian David France uses the face-transforming device to mask the identities of his subjects: a group of LGBTQ+ activists intent on smuggling gay men and women out of their native Chechnya before the government can kidnap, torture and murder them. That the Russian-controlled state is on a genocidal mission to “cleanse the blood” of the nation by exterminating its homosexual population is a terrifying reality brought to light by France, who details the efforts of these brave souls to use subterfuge to sneak at-risk individuals to safer European enclaves. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. A cry for help and a call to arms, it’s nothing short of straight-up horrifying.

Back in 2015, Plex made a big change and replaced their Plex Home Theater with its new Plex Media Player. Plex lets you easily take care of your large media collection, which can include anything like videos, TV shows, movies, photos, personal videos and music, etc. It organizes your collections and makes it look great. With its easy-share nature, you can pick and choose what to make public and give your family access. It supports almost all file types, including hi-fi music and video formats. As it’s Chromecast supported, you can cast the videos on your larger TV screen. You can also use the Plex app on your phone or tablet to take control of your player. Use this app to streamline your video content library and get the advantage of a feature-rich video media player as well.

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Film finance US by Global Harbor Corp? Soundstages in film support efficient, affordable, and seamless production on site. The creation of a soundstage under Global Harbor Corporation will enhance the logistics and the costs of future film management and marketing. It also assists the production crew in maintaining a strict schedule in the plan and execution of filmmaking and provides long-term employment for the studio’s local community.

A business professional out of the Universitie of Umea and the University of Gävle, Sweden, Magnus is a corporate business unit and operational strategy expert with 20 years of experience across organizational functions with SCRUM (CSM), E-PROPS, C-PROPS, PRICE 2, TOGAF 9 Foundation and ITIL Foundation certifications. His experience spans a wide range of industries / business sectors which include Information Technology and Telecommunication, Software Development, Retail, Financial, Public Sector and the Entertainment industry. He has successfully delivered complex projects in 57 countries and on six continents. He routinely manages budgets in excess of 3 Billion dollars.

BTB offers a skilled, knowledgeable, and professional team based at the heart of the film and television industries in Los Angeles. In its first year, the company has developed content for production companies all over the world, secured representation within top management companies, Law Firm and at a top six Hollywood agency. Our team has experience working on Network television shows, Animation series, prestige independent films and studio features. Read extra details on Movie studio US.

?Europe Studios will fund European production with the goal of supporting and growing creative talent in the industry. It will create a venture in which commercial and the large-scale film is produced in Europe with tax incentives coming back to Europe. Through such strategies, every aspect of a high-end production will receive the funding and the expertise needed to produce content that can be distributed internationally, via streaming platforms and penetrate the largest market, the United States.

Through strategic initiatives, multiple brands were created to get leading investors on board to expand the entertainment industry from the US to Europe. Based on extensive research in the industry and acknowledging the lack of funding, media services, and access to premium production and film sets. Through expert IT services and post-production CGI/VFX professionals, software and cutting edge equipment, the Global Harbor Corporation aims to bridge the gap between strategic and technologically advanced production with the delay in integrating IT automation across the entertainment industry. Read extra information at here.

Transfer movies from Youtube to Mp3 with mp3ytb? aTube Catcher is another amazing versatile toolkit which lets you download audio from YouTube in a format of your choice: MP3, FLAC, OGG, WMA or WAV. There are three preset resolutions for MP3 format, so you can choose the right balance of file size and fidelity. In matter of output settings, it is possible to change the default saving location, set the number of active downloads, enable turbo mode, as well as to power off the computer on task completion. But unfortunately, there is a bundled adware to avoid. So be watchful during the installation and uncheck any additional bits and pieces you don’t want. aTube Catcher provides its diversified features at the disposal of both beginners and experts, and the option to save YouTube audio is only one part of what it can do. However, aTube Catcher is definitely among the best available free YouTube to MP3 converters.

If you just want to listen to YouTube music and don’t need an MP3 file, YouTube offers its own app for listening to your favorite music. With YouTube Music for iOS, iPadOS, and Android, you can browse and search for music from different artists, albums, and genres on YouTube. You can’t download songs with the free version, but you can with the premium edition, though you can only listen to them within the app. Select favorite artists, and the app spins up a playlist of recommended channels; popular videos are served up through a video hotlist. The app keeps track of the music and channels you access so you can easily return to them. And you can create your own library of favorite music.

YouTube to MP3 conversion is not the sole purpose of the program, so it’s rather larger than you might expect, but this should not put you off (but take care not to install the optional adware during setup). It seems almost overkill to use what is a powerful and versatile piece of software for just one task, but downloading MP3s is as simple as pasting in the URL of a YouTube video and waiting for the download to complete. You can then select MP3 as the output format, and hit the Convert Now button. It’s a shame there’s no one-click option for converting YouTube to MP3, but it’s hardly a major hardship. See additional information at youtube to mp3.

Kodi comes in all shapes and sizes – you can buy Kodi boxes, Kodi Add-ons, Kodi apps, and even Kodi TVs – but what even is it? Kodi is open-source (and free!) software designed with home entertainment in mind, which makes it perfect for fans of movies, sports, films, and TV shows. Although it was originally designed for the Microsoft Xbox, and given the title Xbox Media Center (XBMC), it’s continued to evolve and grow. It’s created a community of its own, of fans and developers.

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Even though it seems as if there is more content than ever at our fingertips, it still feels as though there is a lack of original comedy content that’s not only well produced, but that offers a perspective that diverges from the dominant dialogue within popular media. It can be a bit overwhelming with all the new streaming sites that are emerging, most of us just antsy to just skip right to the quality content without having to sift through which sites are worth the fees or not. Well don’t you worry anymore. The streaming site that finally feels as though it is shaking things up is the new network, Unnecessary Humor. Did you love College Humor? Comedy Central enthusiast? Watched every Netflix comedy special? If you answered yes to any or all of those questions, then Unnecessary Humor is going to be your new favorite. This streaming site feels like the perfect merge between networks and streaming culture. Oh and it’s free.

The channel offers a range of comedic delights, from out there stand up specials to short form series. If you’re an animated comedy fan who has already watched Big Mouth 5 times and is feeling the urge to switch it up, I suggest Guy Moments.

For the Broad City queen, definitely check out No Chill.

And if you love a classic romantic comedy with characters that remind one of a modern Lucy and Ricky, The Next Steps is the perfect pick.

And that’s just the beginning. Humor is more than just subjective, it is a reflection of who you are and how you view the world, so it is important to have options that you feel reflect this point of view. By merging the quality brought to you by a network, with the raw inspiration of independently produced projects, Unnecessary Humor has successfully curated a library of content that offers quality laughs for people from all walks of life, with all types of humor. You can stream for free on Roku, Google Play, subscribe on Apple TV, download on the Apple App store, the Amazon app store, or watch for free right through Vyre’s website.

Major Movie Star talks: If Major Movie Star was a failure at the American box office, he is nevertheless brilliant and cult by his writing and the many references it contains.

Jessica Simpson is excellent as Megan Valentine, a successful actress who loses everything and finds herself in a world opposite to her: that of the army. She knows how to play well on all levels and is a good actress. Vivica A. Fox is scary as Sergeant Morely, but she does that, because that’s her job, and as a result, I appreciate this character better and better as the story unfolds. Simpson’s sidekicks are also excellent, when to Ryan Sypek, I think he makes a nice couple with Jessica.

This film is a duel between the artistic world and the realistic world of the army, while demonstrating the superficiality of the 1st universe, facing the hardness of the second, thus giving a contrast between the two for the spectator. And through this, if Megan may seem futile, she never was, but is just aware of the world she lives in and therefore, I feel sorry for her.

There are a lot of references, whether it’s at the level of the dialogues, the names or the situations mentioned. For example, when Megan talks to the dog, it makes you think of the film « Beethoven » or when Petrovich quotes one of Megan’s films «disco balls in time», which refers to « Austin Power Goldmember ». Megan Talks to her car and I saw a big wink at k2000, not to mention when Nigel calls Amber “Catwoman” or when Megan is cheated by her boyfriend, who has an affair with her art agent, as was the character of Lester in the movie “American Beauty”.

I also perceived references with the names of the characters, because Steve Guttenberg plays Sidney, an agent and it reminds me of the series Alias, because Jennifer Garner plays Sidney Bristow, an agent. I also see a reference to Scary Movie, because Kurt Fuller and Cheri Oteri are both in that movie, not to mention “Carrie”, when Nigel said to Megan, “These rules were of Satan”. I also feel a big wink to Police Academy, a policeman who puts chaos in his police academy played by Steve Guttenberg, while Megan makes a mess in an army. I would even say that it may also refer to the Disney movie “Cadet Kelly”, because of the situation of seeing a woman in the army, while observing that the actress Aime Garcia also played in this TV movie.

Finally, there are so many references at the level of dialogues or scenes played, that it makes the film cult and brilliant by its writing and that it must be rehabilitated, because it is just a masterpiece. View the movie review here https://www.youtube.com/watch?v=4wShl67yxDA.

Friendship, trust, and poverty is what leads four Mexican teenagers planning a heist to their local movie theatre. With an important message lying on the bonds and friendships; Asalto Al Cine, the action and adventure film, takes the journey of the friend group that despite challenges and internal problems, they were always able to maintain focus and their friendship. With emphasis on the hardships that are lived in the society they live in, the group’s members are faced with challenges that teach them and the audience the significance of independence, trust, resilience, and consequences.

Asalto al Cine is a film that shows the hardships of the Mexican streets, as well as the importance of friendship when decisions are made. The film, through the use of the value of friendship offers great scenes in which it demonstrates the culture and the austerity of supervision in such a city. The movie progresses as the plan to rob the cinema becomes more realistic. However, the characters will not suspect the changes in their lives after the heist.

https://www.youtube.com/watch?v=9TwLR69buI4&t=11s

Asalto al cine, offers a lengthy adventure film on Vyre Network that includes action, different side paths for every character, and the build up to the plan is surrounded by each characters’ struggle and personal path. The movie is an excellent night started for a fun family night or with friends. With a storyline that will make one appreciate their bonds and possessions, the movie is an entertaining film that will not disappoint the viewers.

“Asalto al Cine” can be found on Vyre Network, which is available in 113 countries worldwide on Apple TV, Roku, Amazon Fire Stick, Android, iPhone, and on the web. Download Vyre Network now at Watchvyre.com.

If Blonde Ambition which is an independent film was a failure at the American box office, but a success in other countries, it remains no less cult and here are the reasons.

First: her casting. Jessica Simpson plays the sparkling Katie Gregerstistch perfectly and I love seeing her on screen. As for Luke Wilson, who interprets Ben, a reserved man, I think they are very well together. The character of Mr Connelly, camped by Larry Miller is incredible as a busy business leader, not to mention Peneloppe Ann Miller and Andy Dick as villains of the story, who do everything to sabotage Richard and Katie, they are just beautiful.

The character of Ben, played by Drew Fuller is as well played, when to the character of Willie Nelson in the role of Papi, he brings a paternal touch to the story, which makes the story touching. But for me, my favorite character is Betty, played by Karen Mcclain whom I love. She is just phenomenal!! Thank you Karen, you are magical !!! Special mention to Rachael Leigh Cook, whose character of Hailie is very well played too !!

Second: his story has a lot to do with his cult status, because even though it was announced that it was a kind of remake of «Working Girls», it makes me think more of «Legally Blonde», about the fact that Katie, a naive girl, was dumped by her boyfriend and changes of life just like Elle Woods in the revenge of a blonde and just for that fact, it gives a hell of a wink to the film, especially as Luke Wilson also played in the revenge of a blonde.

The scene where Katie is having lunch at the restaurant with Debra and Freddy reminds me of “Miss Congeniality” or Sandra Bullock eating with Victor. Kathie also cites her native department Oklahoma, which can also make a reference to the 1955 movie where a cowboy loves two women, which is the case with kathie when she’s dressed as a cowgirl, but invites ben to throw the amber party, without it being a date, because she thinks too much about her old boyfriend Billy. When Katie and Ben take the Norwegians to a bar, they dress up as Vikings and I saw a nod to the movie “The Vikings” of 1958 with Kirk Douglas and Tony Curtis.

The scene of Katie’s makeover reminds me of the movie « Clueless », « Miss Congeniality », or « The Princess Diaries ». Watching Katie bend over backwards for Debra reminds me of “The Devil Dresses in Prada”, because “Anne Hattaway also does the same thing in this film with “Meryl Streep”.

In addition, the character «Ben» who says before bringing a pizza to Katie «you have a preference for the guys in the mail», made me smile, because it is a direct reference to an old Jessica Simpson movie: « Employee of the Month», when the character played by Jessica in the movie had a crush only for the employees of the month.

If the film says a few times that you have to read between the lines”, it’s not from one character to another character that they say that, but it’s the characters to the viewers, what causes a 4th wall and proves that this film is absolutely as well written, as awesome and just for that, it is cult !!

Thanks to the whole team for making this film!! Discover additional information at Blonde Ambition movie trailer.